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The Savior of Crop Sensors... Tamron Officially Announces the ‘17-70mm F2.8’ for Nikon Z-Mount!

H0YA83 — Wed, 24 Jun 2026 16:32:51 +0900

A groundbreaking third-party lens has finally arrived to instantly quench the long-standing thirst of Nikon Z-series crop-sensor (APS-C) shooters. Global optical giant Tamron has officially unveiled the Nikon Z-mount version of its best-selling, constant-aperture standard zoom lens, the ‘17-70mm F/2.8 Di III-A VC RXD (Model B070)’. Set for a global release in early July, this lens is drawing intense spotlight as a new powerhouse poised to shift the landscape of the crop-sensor ecosystem.

The newly announced Tamron 17-70mm F2.8 covers an incredibly versatile full-frame equivalent focal range of approximately 25.5-105mm. Spanning from wide-angle to short telephoto with a class-leading 4.1x zoom ratio, the lens maintains a bright, constant maximum aperture of F2.8 across the entire range. This makes it highly advantageous for securing fast shutter speeds and rendering beautiful background bokeh, even in challenging, low-light environments like dark interiors or evening streets.

Packed inside is advanced technology specifically engineered for today’s hybrid creators who bounce seamlessly between stills and video. Equipped with Tamron's proprietary ‘VC (Vibration Compensation)’ image stabilization mechanism, users can confidently shoot handheld with stable results even on bodies lacking in-body image stabilization (IBIS), such as the Nikon Z30 or Zfc. Additionally, the integration of the ultra-fast, whisper-quiet ‘RXD (Rapid eXtra-silent stepping Drive)’ stepping motor ensures snappy and precise autofocus while aggressively suppressing focus breathing—the distracting shift in field of view during focus transitions—making it highly optimized for cinematic expressions.

Exceptional mobility serves as another potent weapon. Despite featuring a constant F2.8 aperture and built-in stabilization, it remains remarkably compact, weighing in at just around 540g. It also excels in close-up work, offering an impressive minimum object distance (MOD) of just 0.19m (7.5 inches) at the wide end for excellent semi-macro capabilities. To make things even more practical, it adopts Tamron's signature unified 67mm filter thread, minimizing the cost burden of buying multiple filters. Priced at a highly competitive $749 USD, it is expected to immediately claim the throne as the ultimate everyday "body cap" lens for Nikon Z DX format shooters.

✍️ Editor's Note

"This is a saving grace for Nikon users who have been wringing their hands over the lack of a proper constant F2.8 standard zoom lens, despite Nikon making excellent APS-C bodies like the Z50, Zfc, and Z30. A proven masterpiece that already cleared the floor in the Sony and Fujifilm camps has finally clothed itself in a native Z-mount. Packing a versatile 24-105mm equivalent range, a bright F2.8 aperture, and built-in VC stabilization into one compact footprint... can you imagine anything more perfect than pairing this with a Zfc for a light travel setup?"

#Tamron #NikonZ #1770mm #APSCLens #NikonZfc #NikonZ50 #NikonZ30 #StandardZoom #BudgetLens #NikonRumors #NewRelease #CameraGear

Fujifilm’s Most Anticipated Masterpiece Unveiled… Promising the Most Disrupted XF Lens Release in Years

H0YA83 — Wed, 24 Jun 2026 16:28:20 +0900

The long-awaited successor to the true backbone of the Fujifilm X-series system is finally stepping into the light. It has been highly confirmed that Fujifilm is actively developing the Mark II version of its high-performance telephoto zoom lens, the ‘XF50-140mmF2.8 R LM OIS WR’—an absolute staple for professional and high-end amateur creators alike.

This release is poised to become the most intensely anticipated lens launch in Fujifilm's roadmap history in recent years.

According to reliable insider sources, this brand-new, constant-aperture telephoto zoom lens will be one of the two core lenses officially unveiled alongside the highly anticipated next-generation flagship body, the ‘X-T6’, scheduled for this September.

The original XF50-140mm F2.8 was initially introduced way back in 2014 during the early eras of the X-series lineup. For over a decade, it firmly held onto its crown as the community's favorite telephoto lens, beloved for its gorgeous rendering and rich color expression. However, as sensor technology leaped forward over the past 12 years, the aging optical design has faced criticism for struggling to fully resolve the staggering '40-megapixel' ultra-high-resolution sensors found in Fujifilm's latest bodies.

The newly re-imagined XF50-140mmF2.8 II will combat this by implementing a next-generation optimized optical design built to preserve razor-sharp, edge-to-edge resolution on 40MP sensors. Furthermore, industry experts predict the lens will feature an evolved Linear Motor (LM) for blazing-fast autofocus tracking, an enhanced Optical Image Stabilization (OIS) mechanism, and a dramatic weight and size reduction to match modern compact trends.

With all eyes tracking the autumn front in September, the global Fujifilm community is eagerly waiting to see just how heavily this next-gen optical weapon—paired with the X-T6—will shake up the mirrorless market.

✍️ Editor's Note

"The absolute number-one choice in every user poll asking for a 'zoom lens refresh' is finally on its way. While the original 2014 version of the 50-140mm is undoubtedly a legendary piece of glass, let’s be honest: it was starting to gasp for air when mounted on modern 40-megapixel sensors. Aside from the obvious optical upgrades, my biggest hope is that they aggressively put this lens on a diet to trim down both the bulk and weight. Paired with a shiny new X-T6 body in September, this autumn is shaping up to be a notoriously expensive season for Fujifilm loyalists."

#Fujifilm #XF50140mm #NewLens #FujiRumors #XT6 #TelephotoZoom #ExclusiveRumors #XMount #MirrorlessLens #CameraRumors #GearUpgrade #PhotographyTech

"Leaving No Body Behind"... Fujifilm Releases New Firmware Updates for X-H1 and X-E3

H0YA83 — Wed, 24 Jun 2026 16:23:58 +0900

Fujifilm, a company highly renowned in the camera industry for its exceptional long-term customer support, has once again proven its loyalty to users of its classic legacy bodies. Fujifilm has officially rolled out new firmware updates to fix bugs and improve system stability for the 'X-H1', the former flagship mirrorless camera, and the 'X-E3', the popular compact rangefinder-style body.

The newly released firmware updates—Version 2.15 for the X-H1 and Version 1.32 for the X-E3—both focus heavily on refining wireless connectivity.

According to the official release notes, the update completely resolves a critical software bug where Bluetooth pairing registrations would occasionally fail or drop connection when using the 'FUJIFILM Camera Remote' mobile application on smartphones running recent Android operating systems.

While some manufacturers often neglect software maintenance for discontinued models years after their release, Fujifilm's persistent effort to trace and improve the user experience of legacy owners is earning widespread praise from the community. A Fujifilm representative stated, "We wanted to ensure that users who still cherish and rely on these older bodies as their main or secondary cameras face no compatibility barriers with modern smartphone platforms."

✍️ Editor's Note

"Even though several product generations have passed since their debut, watching Fujifilm breathe new life into the aging X-H1 and X-E3 is always deeply admirable. They anticipated the exact frustration users face when a smartphone OS upgrades and leaves older camera apps feeling completely broken. This incredible post-purchase care is exactly why creators find it so hard to part with their Fujifilm gear, keeping them as 'lifetime keepsakes' in their gear bags. If you own one of these classics, format your SD card and head to your computer right away!"

#Fujifilm #FujiRumors #FirmwareUpdate #XH1 #XE3 #CameraFirmware #CustomerSupport #Mirrorless #CameraRumors #FujiFilmGear #TechUpdate

Sony to Unveiling ‘FX5’—The “Mini Venice”—in July! + One More Surprise Compact Body?

H0YA83 — Wed, 24 Jun 2026 16:21:35 +0900

The true identity behind the rumored 'FX3 Mark II (FX3 II)' has finally been revealed. Breaking away from its traditional numbering system, Sony is highly confirmed to officially announce the 'FX5' this coming July. Infused with the DNA of their high-end cinema camera, the 'Venice,' this release is poised to mark a massive paradigm shift in Sony's professional video lineup.

According to highly reliable insider sources, the Sony ‘FX5’ is not merely an incremental upgrade to the FX3. Rather than a standard mirrorless hybrid form factor packed with cinema features, it possesses a unique identity that feels like a scaled-down, compact version of Sony's flagship 'Venice.' In terms of physical footprint, the body is expected to be slightly larger than the current FX3, adopting a build quality and form factor similar to Canon's EOS C50.

The ultimate weapon of the new FX5 is a "newly developed, advanced Global Shutter." This shutter is a step forward from the technology seen in current Alpha series bodies, guaranteeing perfect image readout with zero rolling shutter distortion. Furthermore, the button layout and menu system strictly inherit the intuitive user experience (UX) of the professional 'Venice,' maximizing on-set efficiency. The camera is set to include a host of exclusive features never before seen in the FX lineup, built heavily on feedback from global creators.

To make things even more exciting, sources suggest that Sony is highly likely to co-announce "one more surprise compact camera" alongside the historic debut of the FX5 in July. Speculation is already brewing in the industry that this surprise companion could be the long-awaited successor to the legendary high-end compact series, the RX10 V.

While pricing and exact shipping dates remain under wraps, the countdown for an era-defining release that will set the hearts of filmmakers racing has officially begun.

✍️ Editor's Note

"Ditching a predictable name like the FX3 II for 'Mini Venice' and 'FX5' is exactly the kind of move that gets your adrenaline pumping. If the ergonomics, menus, and tactile feel of the industry-standard Venice—alongside an evolved global shutter—can truly fit into this compact form factor, Sony might just sweep the compact cinema market entirely. Toss in the rumors of a secondary compact body that could be the next RX10, and it looks like videographers' wallets worldwide are in serious danger this summer."

#Sony #FX5 #MiniVenice #SonyCinemaLine #GlobalShutter #JulyRelease #SonyRumors #FX3 #CinemaCamera #RX10V #Filmmaking #GameChanger

Will Sony’s Next-Gen FX Camera Inherit Flagship ‘VENICE’ DNA? Rumors Swirl Over External EVF Support

H0YA83 — Tue, 23 Jun 2026 16:54:10 +0900

- Breaking away from the 'Alpha' shadow to re-establish a pure cinema identity… Attention focuses on the potential adoption of a modular body

With concrete details emerging regarding Sony’s next-generation Cinema Line (ILME-FX series), the attention of filmmakers worldwide is intensely focused. Speculation suggests that rather than a simple refresh of an existing compact model, the new camera will heavily inherit the design philosophy of Sony’s top-tier flagship cinema categories, the 'VENICE' and 'BURANO'.

According to global camera rumor outlets and industry insiders, Sony’s new FX body will completely break away from the traditional mirrorless (Alpha-style) design language. Instead, it is expected to adopt a hardware configuration optimized purely for professional cinema production.

■ A Direct Descendant of 'VENICE'… Shifting to a Fully Modular System

The most critical change anticipated for this new product is the implementation of a "modular body." Rumors indicate that the new chassis will adopt the button layout and control interface of its higher-end siblings, the VENICE and BURANO, offering a more intuitive and professional workflow. Notably, the screw-hole placement—a frequent point of critique in existing compact FX models—is set to be completely redesigned, allowing users to rig various cinema accessories without needing an external cage.

■ A Filmmaker's Dream: External EVF Support and High-Output Power System Integration

The feature generating the most excitement among videographers is Helix-centric support for an "external Electronic Viewfinder (EVF)." Based on the modular design, Sony is expected to offer a detachable, dedicated external EVF option, enabling the camera to seamlessly adapt from compact gimbal setups to high-end professional field productions. Furthermore, instead of the batteries used in standard mirrorless bodies, a new high-output battery system supplying higher power efficiency and voltage will be introduced alongside fast charging. This upgrade aims to satisfy the increased power demands of the high-performance processor and external monitoring modules.

Market experts anticipate that with this camera, Sony will directly counter the recently strengthened mid-tier cinema lineups of competitors while breaking past the limitations of small form factors to build a definitive "pure cinema line" ecosystem.

[Editor's Note]

"Sony’s compact cinema line, which had long been confined to modifications of a mirrorless form factor, is finally putting on the clothes of its 'big brothers' (VENICE and BURANO). If the rumors of external EVF support and a completely overhauled modular structure are true, this is not just the release of a successor. It represents Sony's powerful declaration of intent to expand the territory of small cinema cameras—once the domain of solo creators—into the mainstream of commercial and feature film production." — Jun-young Park, Video Equipment Tech Editor

[TAGS] #SonyCinemaLine #SonyFX #VENICE #BURANO #CinemaCamera #ModularBody #ExternalEVF #SonyAlphaRumors #CinematographyGear #CameraRumors #VideoProduction #ILME_FX

Will Sony Release a Next-Gen FX Camera Infused with 'VENICE' DNA? Rumors Swirl Over External EVF Support

H0YA83 — Tue, 23 Jun 2026 16:47:55 +0900

- Breaking away from the 'Alpha' shadow to redefine a pure cinema line… Attention focuses on the potential adoption of a modular body

With concrete details emerging regarding Sony’s next-generation Cinema Line (ILME-FX), the attention of filmmakers worldwide is intensely focused. Speculation suggests that rather than a simple refresh of an existing compact model, the new camera will heavily inherit the design philosophy of Sony’s top-tier flagship cinema categories, the 'VENICE' and 'BURANO'.

According to the global media outlet SonyAlphaRumors and industry insiders, Sony’s new FX body—details of which were leaked through radio certification filings—will completely break away from the traditional mirrorless (Alpha-style) design language. Instead, it is expected to adopt a hardware configuration optimized purely for professional cinema production.

■ A Direct Descendant of 'VENICE'… Shifting to a Fully Modular System

The most critical change anticipated for this new product is the implementation of a "modular body." Rumors indicate that the new chassis will adopt the button layout and control interface of its higher-end siblings, the VENICE and BURANO, offering a more intuitive and professional workflow. Notably, the screw-hole placement—a point of critique in the existing FX3—is set to be completely redesigned, allowing users to rig various cinema accessories without needing an external cage.

■ A Filmmaker's Dream: External EVF Support and High-Output Battery Integration

The feature generating the most excitement among videographers is undoubtedly the rumored support for an "external Electronic Viewfinder (EVF)." Based on the modular design, Sony is expected to offer a detachable, dedicated external EVF option, enabling the camera to seamlessly adapt from compact gimbal setups to high-end professional field productions. Furthermore, instead of the batteries used in standard mirrorless bodies, a new battery (NP-SA100) supplying higher power efficiency and voltage will be introduced alongside 30W USB-C PD fast charging. This upgrade aims to satisfy the increased power demands of the high-performance processor and external monitoring modules.

Market experts anticipate that with this camera, Sony will directly counter the recently strengthened mid-tier cinema lineups of competitors, such as the Canon C400, while breaking past the limitations of small form factors to build a definitive "pure cinema line" ecosystem.

[Editor's Note]

"Sony’s compact cinema line, which had long been confined to a mirrorless form factor, is finally putting on the clothes of its 'big brothers' (VENICE and BURANO). If the rumors of external EVF support and a completely overhauled modular structure are true, this is not just the release of a successor. It represents Sony's powerful declaration of intent to expand the territory of small cinema cameras—once the domain of solo creators—into the mainstream of commercial and feature film production." — Jun-young Park, Video Equipment Tech Editor

[TAGS] #SonyCinemaLine #SonyFX #VENICE #BURANO #CinemaCamera #ModularBody #ExternalEVF #SonyAlphaRumors #CinematographyGear #CameraRumors #VideoProduction #ILME_FX

Will 2026 Be the Year of the Micro Four Thirds (MFT) Comeback?

H0YA83 — Tue, 23 Jun 2026 16:42:07 +0900

- The end of the "bigger is better" sensor trend… Surging demand for compact, stylish cameras driven by younger generations

The Micro Four Thirds (MFT) system, which had temporarily slowed down amid the fierce pursuit of smartphones and the dominance of full-frame (FF) mirrorless cameras, is hinting at a spectacular resurgence starting in 2026.

43Rumors, a global media outlet specializing in camera rumors and industry analysis, recently diagnosed the market trend, stating, "There is a strong possibility that 2026 will be the 'year of the comeback,' marking the return of the MFT system to the center of the market." The analysis suggests that the era of "bigger is better"—where larger sensors reigned supreme—is drawing to a close, and a new paradigm is shifting into place.

■ The Y2K Camcorder and Digicam Craze Ignition Demand for Miniaturization

The most powerful catalyst behind the MFT revival theory is the changing perception among younger generations (Gen Z and Gen Alpha). While the latest full-frame cameras boast overwhelming image quality, the overall weight, bulk of the entire lens system, and steep price points act as significant barriers to entry.

Conversely, as a growing number of young creators seek out small compact cameras or vintage digicams with a Y2K aesthetic, MFT is being re-evaluated as a natural alternative that is "lightweight, stylish, yet capable of professional shooting." The unique strength of MFT—the ability to drastically downsize a camera system without compromising performance—perfectly aligns with current market demands.

■ Chinese Manufacturers Enter the Fray, Forming a New Ecosystem

In addition to traditional MFT powerhouses like OM System (formerly Olympus) and Panasonic Lumix, agile Chinese optical manufacturers have been the first to spot this trend and are moving rapidly.

Over the past one to two years, a massive wave of high-performance, affordable third-party MFT lenses has hit the market. Furthermore, global action cam and video equipment giants such as DJI and Insta360 are actively expanding their MFT sensor and mount ecosystems. As third-party brands and tech companies begin to satisfy the hunger for an "ultra-compact form factor" that traditional camera brands failed to deliver, unprecedented vitality is circulating throughout the MFT camp.

[Editor's Note]

"Users weary of pure image-quality supremacy are turning their eyes back toward 'portability' and 'cost-effectiveness.' No matter how excellent a full-frame camera is, if it's too heavy and ends up sitting in a closet, it becomes less useful than a smartphone. In 2026, with vlogging and snapshots dominating the content market, MFT might just be the format that was furthest ahead of its time—and the one that now fits this era perfectly." — Kyung-tae Min, Camera Tech Editor

[TAGS] #MicroFourThirds #MFT #43Rumors #CameraTrends #Mirrorless #OMSystem #PanasonicLumix #CompactCamera #DigicamCraze #VlogCamera #OpticsMarket #2026Camera

A Wave from Afar, Humanity Up Close… Fujifilm Korea Hosts Night Light’s Solo Exhibition ‘PEOPLE X WAVES’

H0YA83 — Tue, 23 Jun 2026 16:36:44 +0900

- Running at Avenuel until July 30… Exploring the Aesthetics of Individuality and Connection Through Detailed Pen and Marker Drawings

Fujifilm Electronic Imaging Korea (hereafter Fujifilm Korea) announced on the 23rd that it is hosting ‘PEOPLE X WAVES’, a solo exhibition by illustrator Night Light, at its Avenuel branch in Songpa-gu, Seoul.

Running until July 30, the exhibition showcases 24 illustration works that reflect the artist’s uniquely imaginative worldview. The highlight of this series is the dynamic yet delicate depiction of countless human figures converging to form a single, massive wave.

■ A Landscape of Life Woven with Pens and Markers… 24 Major Works in One Place

The exhibited pieces are all crafted using a highly intricate stippling and detailing technique with pens and markers. From a distance, they appear as serene, undulating blue waves. However, as viewers step closer, a striking twist is revealed: an array of human crowds, each individual possessing a distinct facial expression and moving in their own direction.

Inspired by the "sea"—a lifelong source of deep inspiration for the artist—the exhibition offers a refreshing yet profound visual experience perfectly timed for the height of summer. Notably, it chronicles the artist's creative evolution, spanning from early small-scale $10 \times 10$ works to expanded large-canvas pieces, as well as recent works that showcase shifts in technical approach.

■ Engaging SNS Events Featuring Tickets to the Seoul Illustration Fair

Alongside the artwork, a variety of engaging events are available for visitors. From July 6 to July 30, visitors who follow the official social media accounts of both Fujifilm Korea and the Seoul Illustration Fair (SIF) will be entered into a draw to win weekly admission tickets to the fair.

"From a distance, it looks like a single wave, but up close, it is made up of countless individuals intertwined with one another," said artist Night Light. "I hope viewers experience a sense of inner tranquility the moment they encounter these pieces."

Im Hoon, President of Fujifilm Korea, stated, "We invite everyone to show great interest in Night Light's solo exhibition, which promises to deliver a fresh visual and artistic experience. Moving forward, we will continue to introduce diverse creators and expand our brand experience by bridging photography and art."

[Editor's Note]

"The thrill of experiencing the contrast between the macro view from afar and the micro details up close is profound. This is likely because it mirrors our own lives, where independent individuals gather to create a massive social current—a wave. On a scorching summer day, we highly recommend immersing yourself in this wave of humanity washing over the cool walls of the Avenuel gallery."

— Ian, Art & Culture Editor

[TAGS]

#FujifilmKorea #NightLight #SoloExhibition #PEOPLE_X_WAVES #AvenuelExhibition #Illustration #DetailedArt #RecommendedExhibition #SeoulIllustrationFair #SummerExhibition

Canon 'EOS RP' Officially Discontinued: The End of an Era for the Budget Full-Frame

H0YA83 — Mon, 22 Jun 2026 21:10:56 +0900

- Marking the retirement of the entry-level full-frame king after 7 years since its 2019 debut - Removed from order books in parts of Asia, signaling a natural generation shift

- The camera that bridged the gap for EF shooters moving to mirrorless steps into history

The Canon 'EOS RP', a legendary budget-friendly body that spearheaded the democratization of full-frame mirrorless cameras, is officially being discontinued after nearly seven years on the market.

According to recent industry updates and foreign media reports, Canon has officially declared the discontinuation of the EOS RP, starting with select regions in Asia. This move follows signs over the past six months where the camera body was either removed from dealer order books or became increasingly difficult to procure. Analysts believe Canon made this decision to reallocate its limited manufacturing resources toward its latest product lineups.

First announced on February 13, 2019, the EOS RP was Canon's second full-frame mirrorless camera and a monumental model that shifted market dynamics. Sharing the same 26.2-megapixel sensor as the EOS 6D Mark II, the RP stripped away flashy bells and whistles to deliver solid fundamentals and unprecedented price competitiveness, capturing the hearts of amateur photographers worldwide. In particular, it is highly praised for serving as an excellent bridge, allowing existing DSLR (EF mount) shooters to transition into the RF mirrorless ecosystem seamlessly without the immediate pressure of replacing their entire lens lineup.

At launch, the camera faced some criticism regarding its video specifications, such as the lack of Dual Pixel CMOS AF (DPAF) when shooting in 4K. However, for stills-focused beginners and enthusiasts looking to upgrade from crop sensors (APS-C) to full-frame, it remained an irreplaceable choice.

While aggressive instant rebates in markets like North America have recently driven the price down to as low as $799 for a brand-new body (and around $500 for refurbished units via Canon's store), the time has come for the RP to step down and pass the torch to newer entry models like the 'EOS R8'.

Experts note that while new production has ceased, the EOS RP will remain one of the top recommendations for time to come through the used market and remaining retail stock for budget-conscious, stills-oriented beginners who want to experience the deep depth of field and image quality of a full-frame sensor for under $1,000.

Editor's Note

"The pioneer that kicked off the 'golden age of budget full-frame'—offering a full-frame sensor for just over $1,000, and sometimes even under $1,000 during sales—is finally retiring. It took its fair share of heat at launch for its clunky video specs, but thanks to its lightweight body and Canon's signature warm color science, it was a beloved first companion for countless photography beginners. Farewell to the legendary RP, you've had a fantastic run."

️ Tags

#Canon #EOSRP #CameraDiscontinued #FullFrameMirrorless #BudgetCamera #BeginnerCamera #CameraNews #CanonRumors

Canon Patents New 'Sandwich' Lens Design, Teasing an Affordable RF 85mm f/1.2

H0YA83 — Mon, 22 Jun 2026 21:08:11 +0900

- Introducing a composite optical element that bonds glass with resin - Significantly reduces weight and production costs, fueling anticipation for a budget-friendly f/1.2 lineup

Canon has filed a patent for an innovative lens design that could simultaneously lower both the weight and price barrier of high-performance, fast-aperture lenses.

According to a recent patent application published by the Japan Patent Office (JPO), Canon is developing a composite lens element design. The design functions as a "sandwich," where a central glass element is bonded on each side by two thinner resin (plastic) elements.

While the mention of "plastic" often causes concern among photography purists regarding potential image degradation, Canon claims this composite design offers several distinct advantages. Because plastic weighs significantly less than glass, it contributes greatly to overall lens weight reduction. Furthermore, when correcting distortion, using aspherical resin elements can deliver the same optical results with fewer elements, eliminating the need to grind down complex aspherical glass shapes.

Canon has also addressed the traditional vulnerability of plastic: its tendency to warp under extreme heat or cold. By securely bonding the resin elements to the central glass element, the design prevents the resin from changing shape due to temperature fluctuations. Ultimately, this allows the lens to reap the full optical benefits of aspherical surfaces without the expensive glass-milling process, opening the door to dramatically lower production costs.

The most eye-catching detail in the patent document is the inclusion of three distinct optical designs for an "RF 85mm f/1.2" lens. All three configurations share identical front-group crown glass and resin formulas, only slightly varying the properties of the central composite glass to optimize aberration correction and total lens length.

Industry observers speculate that following the recent release of the RF 45mm f/1.2 STM, Canon may leverage this "sandwich" patent to introduce an affordable 85mm f/1.2 STM lens to the consumer market. Currently, these PMo (Plastic Molded Aspherical) elements are rarely used in Canon's top-tier luxury 'L-series' lenses. However, they are actively adopted in popular budget primes known for their exceptional sharpness and value, such as the RF 28mm f/2.8 STM and the RF 50mm f/1.8.

Among the various prime and zoom lens designs featured in the patent, the RF 85mm appears to be the most viable candidate for commercialization. As this patent indicates that Canon will continue to accelerate its research and implementation of PMo elements, users can look forward to experiencing legendary f/1.2 background blur at a much lighter weight and a far more accessible price point.

Editor's Note

"This is wonderful news for photographers who love the dreamiest bokeh of an f/1.2 aperture but have hesitated due to back-breaking weight and bank-breaking price tags. It is classic Canon engineering to overcome plastic’s thermal expansion weakness by sandwiching it with glass. We eagerly await the arrival of a budget-friendly, silver-ringed RF 85mm f/1.2 STM."

️ Tags

#Canon #RFLens #LensPatent #RF85mm #SandwichLens #PMo #AffordableLens #CameraRumors